August 19 - September 24, 2017,  Reception: August 19, 7-10pm

Downstairs / Main Gallery: a hard place

Curated by Gundula Schmitz (Laura Mars Gallery) and Gary Farrelly.

Gary Farrelly - „parliament tower [Malaysia]“, 2017, embroidery on commemorative postcard, 15 x 10 cm

Gary Farrelly - „parliament tower [Malaysia]“, 2017, embroidery on commemorative postcard, 15 x 10 cm

Featured artists:

Chris Dreier (DE), Christine Weber (DE), Cunningham Architects (TX), Dirk Krecker (DE), EVOL (DE), Gary Farrelly (IRE/BE), Julia Zinnbauer (DE), Laure Catugier (DE/FR), Matias Bechtold (DE), Oisin Byrne (IRE/UK), Pádraic E. Moore (IRE/BE), ScAle Architects (IT) and Tannhäuser Tor (Alekos Hofstetter (DE) & Florian Göpfert (DE).

A hard place brings together work by artists and architects from Germany, Ireland, France and Italy as well as a piece by Dallas’s Cunningham Architects produced especially for the show.  A unifying concern in the work is the legacy of post-war modernist architecture. The artists of a hard place employ highly divergent strategies across a wide variety of media to explore the theme. The exhibition includes video art, photography, drawing, painting, textiles, sculpture, sound recordings and the written word.

In post WWII Europe new civic infrastructure such as housing, factories and administrative facilities had to be erected on an unprecedented scale. Commonly known as Brutalism, the style that emerged was characterized by repeated modular elements articulated and grouped together into a stark, unified whole. Cast concrete was used for its raw and unpretentious honesty and structural integrity.

This new architecture constituted a forceful rejection of preceding political, social and economic thinking. The buildings symbolize the optimism of high modernism. Moreover, they might also be viewed as an affirmation of mankind’s ability to create, improve and reshape the world via practical experimentation, scientific and technical knowledge and human cooperation.

Today, the progress orientated stance and towering utopic mission of post-war modernism is subject to much criticism. The remnants of the defunct modernist project are ever present in the form of neglected edifices that prevail upon our cities and towns. Without a living transformative ideological project to substantiate their presence it is not clear what our responsibility towards the buildings and the ideas they represent should be.

Some of the artists have a very emotional / euphoric relationship with architecture. They adopt a caretaking posture casting themselves as faithful guardians of modernism's legacy. Others take a cynical stance and consciously disavow the naivety and idealism of post-war architecture. And there are those who stake out nuanced, idiosyncratic positions between these two poles. However, in the work of all participating artists in-depth research plays an eminent role.

The city of Dallas, with all its skyscrapers, elevated roadways, hub airports and subterranean tunnels serves as the ideal venue for this exhibition.


Upstairs Gallery: 500X Member's Exhibition

500X is ready to start the new season with the annual members show. Welcoming the addition of it's newest members, this group of emerging Texas artists will be showcasing a range of media investigating a variety of content and formal concerns.

Left to right, top to bottom: Ashley Whitt, Molly Diercks, Chris Ireland, Ross Faircloth

Left to right, top to bottom: Ashley Whitt, Molly Diercks, Chris Ireland, Ross Faircloth

Featured artists:

Kalee Appleton, Clint Bargers, Lynne Bowman-Cravens, Molly Dierks, Ross Faircloth, Chris Ireland, Steven Foutch, Seth Lorenz, Valerie Powell, Justin Strickland-Hoff, James Talambas, Tabatha Trolli, Tony Veronese, and Ashley Whitt.

As the oldest artist run co-op in Texas, the idea of collaboration, finding fresh talent and building community is what this current group hopes to continue to foster. Come out and help us kick off the 2017 season!